VALERIA ZORINA
Valeria Zorina is an artistic reality. She is not only a brilliant violinist, but also a violinist of an intense expressiveness.”
– EL COMERCIO, SPAIN
Valeria Zorina is a much sought-after guest in prestigious concert halls: Queen Elisabeth and the Barbican Hall (London), the Temppeliaukion Hall (Helsinki), the Liederhalle Stuttgart and the Alte Aula Heidelberg (Germany), the Moscow International House of Music (Russia), the Auditorio Nacional Madrid (Spain), as well as at multiple international music festivals, such as the Cardiff Festival (UK), the Schwetzinger Festspiele, the Hambacher Musikfest and the Villa Musica (Germany), the Evian Rostropovich Festival, and the Royaumont Festival (France).
As a chamber musician, Valeria has shared the stage with Mark Lubotsky, Nicolás Chumachenco, and Valentin Berlinsky. Being a disciple of David Takeno and Sir Yehudi Menuhin Valeria has worked with and performed under Sir Colin Davies, Mstislav Rostropovich, Günter Pichler, and Peter Eötvös…
Valeria aroused enthusiasm by her confident and virtuoso playing. She drew miraculous full sounds of her violin and enchanted her audience already with the very first tone of her performance.”
– STUTTGARTER NACHRICHTEN, GERMANY
“Valeria Zorina shows a poetic and stylistic sensitivity toward the widely varying repertoire. She plays with a creamy tone that belies the mental and digital readjustments the scordatura player has to undergo. This is a most interesting collection to have.
– FANFARE ARCHIVE , USA
Mit hoher Strahlkraft singende Violine.”
– KLASSIK HEUTE, DEUTSCHLAND
“La violinista Valeria Zorina se ha convertido ya en una realidad artística. Una violinista no solo brillante, sino también de una expresividad intensa.
– EL COMERCIO , SPAIN
Brillante intervención Sonido exquisito. Lleno absoluto y el público entregado desde los primeros compases.”
– EL COMERCIO , SPAIN
ALBUMS
SOUNDMAPS:
EXTENDED REALITIES
These works explore the possibilities of a violin’s scordatura i.e. alternative tunings of the violin strings. Such experimentation with the potential effects was already present in the works of Heinrich Ignaz Franz Biber and runs right through the history of music, from Ysaÿe and Camille Saint-Saëns to contemporary works that are recorded here for the first time.
Strauß Morgen For Violin And Piano - Live
